Associate Professor of Classics
413-597-4710
Hollander Hall Rm 153
At Williams since 2018
Education
B.A. Wellesley College (2008)
M.A. University of California, Berkeley, Classics (2010)
Ph.D. University of California, Berkeley, Classics (2016)
M.A. University of California, Berkeley, Classics (2010)
Ph.D. University of California, Berkeley, Classics (2016)
Areas of Expertise
Ancient Greek literature, art, and culture
Courses
CLAS 105 / COMP 104 TUT
Telling Tales in Ancient Greece (not offered 2024/25)CLAS 211 / THEA 211 / COMP 248 SEM
Performing Greece (not offered 2024/25)CLAS 214 / COMP 284 SEM
Athletics and Literature in Ancient Greece (not offered 2024/25)CLAS 226 / COMP 226 SEM
The Ancient Novel (not offered 2024/25)CLGR 404 SEM
Tragedy (not offered 2024/25)CLGR 422 SEM
Crete in the Ancient Greek Imagination (not offered 2024/25)Scholarship/Creative Work
Books
- 2022. ed., with Mario Telò. Queer Euripides: Re-readings in Greek Tragedy. Bloomsbury. || Podcast on Queer Euripides: Part 1 | Part 2
- 2021. Solo Dance in Archaic and Classical Greek Literature: Representing the Unruly Body. Cambridge University Press.
Articles and Book Chapters
- 2024. “Electra, Again.” Radical Formalisms: Reading, Theory, and the Boundaries of the Classical. Sarah Nooter and Mario Telò, eds. Bloomsbury. 153-164.
- 2023. “Fertile Pasts and Sterile Futures in Euripides’ Andromache.” Making Time for Greek and Roman Literature, Kate Gilhuly and Jeffrey Ulrich, eds. Routledge. 47-61.
- 2023. “Politics: Musical Symbols and Civic Rhythms.” A Cultural History of Western Music, vol. 1 (Antiquity), Sean Gurd and Pauline LeVen, eds. Bloomsbury. 79-98.
- 2022. “Thisbe’s Novel: Writing Romance in Heliodorus’ Aethiopica.” Ramus 51: 105-130.
- 2022. “Embracing Thetis in Euripides’ Andromache.” Classical Antiquity 41: 67-90.
- 2021. “Musical Memory on Delos: Theseus in the Archive and the Repertoire.” Music and Memory in the Ancient Mediterranean, eds. Lauren Curtis and Naomi Weiss. Cambridge University Press. 65-80.
- 2021. “Narrating Neoptolemus: Dance and Death in Euripides’ Andromache 1085-1165.” Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond, eds. Laura Gianvittorio and Karin Schlapbach. Brill. 156-179.
- 2019. “Sappho’s Kinesthetic Turn: Agency and Embodiment in Archaic Greek Poetry.” The Routledge Handbook of Classics and Cognitive Theory, eds. Peter Meineck, William Short, and Jennifer Deveraux. Routledge. 281-295.
- 2019. “Pindar, Paian 6: Genre as Embodied Cultural Knowledge.” Genre in Archaic and Classical Greek Poetry: Theories and Models, eds. Leslie Kurke, Margaret Foster, and Naomi Weiss. Brill. 325-346.
- 2017. “Les danseuses en Grèce antique. Performance, capacité d’agir, et divertissement.” Clio: Femmes, Genre, et Histoire 46: 19-43.
- 2017. “The Fantastic Phaeacians: Dance and Disruption in the Odyssey.” Classical Antiquity 36: 1-32.
- 2017. “Kinesthetic Choreia: Empathy, Memory, and Dance in Ancient Greece.” Classical Philology 112: 153-174.
- 2015.“Conceptualizing Choreia on the François Vase: Theseus and the Athenian Youths.” Mètis: Anthropologie des mondes grecs anciens N.S. 13: 107-121.
- 2012. “Maculate Conception: Sexual Ideology and Creative Authority in Heliodorus’ Aethiopica.” American Journal of Philology 133: 301-322.
Book Review
- Review of The Anatomy of Dance Discourse: Literary and Philosophical Approaches to Dance in the later Graeco-Roman World, by Karin Schlapbach (Oxford University Press). Bryn Mawr Classical Review.
Current Committees
- Committee on Educational Affairs
- Standing Grievance Panel
Megamenu Social